WHO’S WHO
ANTOINETTE CROWE-LEGACY (Kaneisha, she/all) stars opposite Forest Whitaker in the EPIX series Godfather of Harlem, which has just been picked up for a third season. Antoinette recently made her Broadway debut in Jeremy O. Harris’ Slave Play. Up next, Antoinette will be seen opposite Anne Hathaway and Jared Leto in the WeWork limited series WeCrashed for Apple TV+. She will also be seen in FX’s forthcoming series Kindred, based on the acclaimed novel of the same name by Octavia Butler. Antoinette was recently seen in Rebecca Hall’s feature Passing opposite Tessa Thompson and Ruth Negga. The film recently made a near-record breaking sale to Netflix for over $16M at the 2021 Sundance Film Festival. Among Antoinette’s many theatre credits, she played leading roles in both Tori Sampson’s play If Pretty Hurts Ugly Must Be a Muhfucka, which Leah Gardiner directed at Playwrights Horizons, as well as in Aziza Barnes’s play BLKS, directed by Robert O’Hara for MCC Theater. Antoinette graduated from Yale’s prestigious MFA Acting Program, where she received the 2018 Carol Finch Dye Award. Past winners include Meryl Streep and Frances McDormand. Antoinette Crowe- Legacy is based in Brooklyn, NY.
JONATHAN HIGGINBOTHAM (Phillip, he/him/his). Slave Play (Broadway), A Lie Agreed Upon (The Gamm Theatre), JQA (The Gamm Theatre), Cymbeline (Yale Repertory Theater), As You Like It (Shakespeare Theatre of New Jersey), Cymbeline (Commonwealth Shakespeare Company), KMS...The Feels (New Ohio Theatre). TV: Shining Vale (Starz), The Blacklist (NBC), Bonding (Netflix). Jonathan studied at the British American Drama Academy in Oxford. He holds a B.A. from Hamilton College and an M.F.A from Yale School of Drama.
DEVIN KAWAOKA (Dustin, he/him/his) Broadway: Slave Play. Off-Broadway: City Of (Playwrights Realm), Unnatural Acts (Classic Stage Company) for which his performance was awarded the Rosemarie Tichler Grant. Television: Lucifer, Goliath, American Housewife, Marvel’s The Runaways, Criminal Minds, The Path, Good Trouble. Film: The Manor, Under the Silver Lake, Under the Lantern Lit Sky, Submission. Training: M.F.A., NYU Graduate Acting. Love and gratitude to Mom, KC fam and MLE. Tonight is dedicated to his father, Kenji Kawaoka. Instagram: @devinkawaoka
CHALIA LA TOUR (Teá, she/her/hers) returns to the production after earning a 2020 Tony nomination for Best Featured Actress in a Play. Theatre credits include: Slave Play (original Broadway cast), Cadillac Crew (Yale Repertory Theatre), The Review or How to Eat Your Opposition (Women’s Theatre Project). TV: The Good Fight, The Code, and Elementary on CBS. Film: The Future is Bright. The Future is Bright screened at the inaugural African American Smithsonian Film Festival. La Tour is a graduate of the Yale School of Drama. Instagram: @chalialatour
RENE SOFIA LUCIO (Patricia, she/her/hers) originated the role of Patricia off and on Broadway. Broadway: Slave Play, Wit. Off-Broadway: Romeo y Julieta (Public Theater), Slave Play, Love and Information (NYTW), Orange Julius (Rattlestick), Undertaking (BAM), King Liz (Second Stage), We Play for the Gods (WP). Regional Credits: Yale Rep, Studio Theater DC, Cal Shakes. TV: The Americans, Bartlett, Madam Secretary, Gossip Girl, Casi Casi. Co-creator of BUTS Webseries (NBCU Short Film Festival winner, Imagen Award Nom.). Education: Princeton and Yale School of Drama. Native of San Juan, Puerto Rico.
JAKEEM DANTE POWELL (Gary, he/him/his) will be seen in a large supporting role in George C. Wolfe’s upcoming Netflix feature Rustin. Previously, he understudied the roles of Gary and Phillip in Slave Play on Broadway. Additionally, he starred in the streaming play This American Wife alongside Pulitzer Prize finalists Michael Breslin and Patrick Foley. He is a graduate of the Yale School of Drama where he played Gary in Slave Play, Kasim in If Pretty Hurts Ugly Must Be a Muhfucka, and Trigorin in The Seagull. Additional credits include Sebastian in Twelfth Night at the Yale Repertory Theatre and Asagai in A Raisin in the Sun at the Dallas Theatre Center.
ELIZABETH STAHLMANN (Alana, she/her/hers) Theatre Credits include: Slave Play (Broadway-understudy for Alana and Patricia), Grounded (Westport Country Playhouse-CT Critics Circle Award), The Humans, The Cake (The Alley Theatre), Romeo and Juliet, As You Like It, A Comedy of Errors (National tour with The Acting Company), The Real Thing, A Christmas Carol (Guthrie Theater.) TV: City on a Hill, The Equalizer, Law & Order: SVU. Graduate of University of MN/Guthrie Theater (B.F.A.), Yale School of Drama (M.F.A.).
JORDAN LIS COOPER (Understudy for Alana and Patricia, she/her/hers) played Judith in Ruben Santiago Hudson’s Your Blues Ain’t Sweet Like Mine, directed by Steve Broadnax III, and originated the role of Grace in Hansol Jung’s premiere of Doublethink at the South Africa National Arts Festival. Improv and sketch comedy: The Upright Citizen’s Brigade, The Annoyance, and the Dallas Comedy House. M.F.A. from Penn State University.
RASHAAD HALL (Understudy for Phillip, he/him/his) is a multi hyphenate actor and artist from Chicago based in Los Angeles. His theatre credits include Steppenwolf Theatre Company’s The Brothers Size by Tarell Alvin McCraney (OWN’s David Makes Man, Moonlight) and has performed regionally at the Goodman Theatre, Victory Gardens Theatre, Steppenwolf Theatre, Haven Theatre, and the Black Ensemble Theater, among others. Film credits include his recurring guest star role on the Emmy-nominated web-series Brown Girls, and a lead role in the queer indie feature Rendezvous in Chicago. He has been nominated for a Chicago Joseph Jefferson award with the cast of The Hairy Ape directed by Monty Cole. As a writer and director, he has devised work with The SlamFam Ensemble creating theatre based in spoken-word performance poetry. He is represented by Paonessa Talent Agency and MRK Management. Thanks to God and all his family immediate, and chosen.
KINETA KUNUTU
(Understudy for Kaneisha, she/her/hers) is a New York-based actor originally from Johannesburg, South Africa. Off-Broadway credits include: bt i cd only whisper (The Flea); A Midsummer Night’s Dream (Hudson Valley Shakespeare Festival); Father Comes Home from the War pt.1 &2 understudy (Yale Rep). TV credits include: recurring role on NBC’s The Blacklist, Season 4 of the CBS All Access series The Good Fight. Kineta received her M.F.A. from the Yale School of Drama.
JAMES PATRICK NELSON (Understudy for Jim and Dustin, he/him/his) just starred in The Human Voice at the Bay Street Theatre. Recent regional credits include Immortal Longings (Zach Theatre – World premiere by Terrence McNally), Bedlam’s Pygmalion (Central Square Theatre), and Bedlam’s Sense and Sensibility (American Repertory Theatre, Folger Theatre - Helen Hayes Award for Outstanding Ensemble). Off-Broadway credits include The Three Sisters with Maggie Gyllenhaal, A Midsummer Night’s Dream with Bebe Neuwirth, and Ivanov with Ethan Hawke. Additional credits include Old Familiar Faces (Innovative Theatre Nomination – Best Actor), Pericles (Berkeley Rep), The Maids (Outliers Theatre), and Life x 3 (New Light Theatre Project). James created the short film Waking Up, which premiered at the Santa Barbara Int’l Film Festival. He stars in the upcoming feature Love in Kilnerry, the upcoming short films Cycle Vérité and Roost, and he just wrapped filming his original pilot For Years to Come. james-patrick-nelson.com Instagram: @jamespatricknelson
GALEN J. WILLIAMS (Understudy for Gary, he/all) is thrilled to make his CTG debut with Slave Play. Past credits: Slave Play (Broadway), Motown the Musical (Broadway/National tour), POSE (FX Networks), The Gaze: No Homo (Emmy-Award Nominated Digital Series). Love and gratitude to family, friends, and all who got me here. Instagram: @theegalenjwilliams M.F.A.: University of Southern California, B.F.A.: Howard University
CREATIVES
JEREMY O. HARRIS (Playwright, he/him/his) is a Tony-nominated writer, performer, and producer from Virginia. Plays: Slave Play, “Daddy,” WATER SPORTS; or insignificant white boys; and Black Exhibition. Jeremy co-wrote A24’s critically acclaimed 2021 film Zola with director Janicza Bravo. He has an overall deal with HBO where he is co-creating an adaptation of The Vanishing Half with Aziza Barnes. Additional credits include HBO’s Euphoria and upcoming HBO’s TV adaptation of Irma Vep. In 2020, he produced the premiere of Fake Friend’s Pulitzer Prize finalist Circle Jerk, created NYTW’s Golden & Ruth Harris commission for Black female playwrights, and funded Bushwick Starr’s pet project grants which funded over 175 artists. He is the recipient of the Vineyard Theatre’s Paula Vogel Playwrighting Award, a MacDowell Colony Fellow, and is under commission from Lincoln Center Theater and The Public Theater. Jeremy is a graduate of Yale’s M.F.A. Playwrighting Program. Upcoming: “Daddy” (Almeida).
ROBERT O’HARA (Director, he/him/his) is the Tony-nominated director of Slave Play and is currently working on several film, television, and theatre projects. He’s a two-time Obie Award and two-time NAACP Award winner whose work has been seen around the country. Among his recent and upcoming projects are, writing Camp for Warner Bros, to be directed by Billy Porter, directing Long Days Journey Into Night at Audible/Minetta Lane Theater, directing the revival of Anthony Davis’ Opera, X: The Life and Times of Malcom X in a co-pro of the MET, Michigan, Omaha and Seattle Opera. SDC, WGA, DGA, AGMA.
CLINT RAMOS (Scenic Design, he/him/his) Broadway: Slave Play (Tony nomination), Grand Horizons (Drama Desk, Outer Critics), The Rose Tattoo (Tony nomination), Burn This, Torch Song (Tony nomination), Once on This Island (Tony, Outer Critics, Drama Desk nominations), Six Degrees of Separation, In Transit, Sunday in the Park With George, Eclipsed (Tony Award), The Elephant Man, Violet. Awards: Tony, Drama Desk, Outer Critics, two Obies, three ATW Henry Hewes, three Lortels. Film: Respect, Lingua Franca. Producing Creative Director for Encores! at NYCC. @clintramos
DEDE AYITE (Costume Design) is a two-time Tony Award-nominated costume designer whose Broadway credits include Chicken & Biscuits, A Soldier’s Play, Slave Play, American Son, and Children of a Lesser God. Select Off-Broadway credits include Merry Wives (The Public Theater); Secret Life of Bees, Marie and Rosetta, (Atlantic); By The Way, Meet Vera Stark (Signature); BLKS, School Girls... (MCC); Bella: An American Tall Tale (Playwrights Horizons); The Royale (Lincoln Center); Toni Stone (Roundabout). Regionally, Ayite’s work has appeared at Oregon Shakespeare Festival, Steppenwolf, Arena Stage, and more. She has worked in television with Netflix, Comedy Central, and FOX Shortcoms. Ayite earned her M.F.A. at the Yale School of Drama and has received an Obie, Lucille Lortel, Helen Hayes, Theatre Bay Area, and Jeff Awards, along with four Drama Desk Nominations.
LINDSAY JONES (Sound Design and Original Music, he/him/his) – Broadway: Slave Play (Tony nominations for Best Score and Best Sound Design of a Play), The Nap, Bronx Bombers, and A Time to Kill. Off-Broadway: Privacy (The Public Theater), Bootycandy (Playwrights Horizons), Feeding the Dragon (Primary Stages), Top Secret (New York Theatre Workshop), and many others. Regional: Guthrie Theater, Center Stage, American Conservatory Theater, Hartford Stage, Alliance Theatre, Goodman Theatre, Arena Stage, Old Globe Theatre, Chicago Shakespeare Theater, Steppenwolf Theatre, and many others. International: Stratford Festival (Canada), Royal Shakespeare Company (England), and many others. Audio drama: A Streetcar Named Desire for Audible and the award-winning weekly podcast for children The Imagination Neighborhood. Film/TV scoring: HBO Films’ A Note of Triumph (2006 Academy Award for Best Documentary, Short Subject), and over 30 other films. He is the co-chair of Theatrical Sound Designers and Composers Association and teaches Composition For Theatre and Music History at the University of North Carolina School of the Arts. lindsayjones.com.
JIYOUN CHANG (Lighting Design, she/her/hers). Credits: Bina’s Six Apples (CTC), Letters of Suresh (2nd Stage), Marry Wives (Delacorte Theatre), Slave Play (Nominations for Tony, Drama Desk, Henry Hewes, Broadway), For Colored Girls Who Have Considered Suicide/When the Rainbow Is Enuf (The Public). Marys Seacole (Henry Hewes Nom, LCT3). More credits at 2nd Stage, Roundabout, ATC, NYTW, BAM (Obie Award), MCC, Signature, Guggenheim, Berkeley Rep, Cal Shakes (Theatre Bay Area Nom.), Guthrie, The Old Globe, OSF (Falstaff Award), and Studio Theatre.
COOKIE JORDAN (Hair and Wig Design, she/her/hers) has designed 15 Broadway shows, including: Trouble in Mind, Clyde’s, Skeleton Crew, Fela!, Slave Play, Choir Boy, The Cher Show, Once On This Island, Sunday in the Park with George, In Transit, Eclipsed, Side Show, After Midnight, A View From the Bridge and South Pacific. Off-Broadway: All the Natalie Portmans, Girls, Fefu and Her Friends, Aint No Mo, Fairview, Toni Stone, If Pretty Hurts, The Secret Life of Bees, Boseman and Lena, Fabulation, Our Lady of 121st Street, In the Blood, “Daddy,” and Hercules in the Park. Television: Make up for The Wiz! Live. Cookie has been nominated for three Drama Desk Awards, one Emmy award, received two Obie Awards, and The Henry Hewes Design Award.
BYRON EASLEY (Movement, he/him/his). Slave Play (Broadway [Antonyo Award Nomination] and New York Theatre Workshop), X: Or Betty Shabazz V. The Nation (Lucille Lortel Award nomination), The Bubbly Black Girl for City Center Encores, and Langston in Harlem (SDC’s Joe A. Callaway Award and an Audelco Award). Regional: Signature Theatre: Gun & Powder; Olney Theatre: Matilda (Helen Hayes Nomination); Yale Repertory Theatre: Twelfth Night; TUTS: The Wiz; Oregon Shakespeare Festival: Unison, The Wiz, and A Comedy of Errors; Arena Stage: Five Guys Named Moe (Helen Hayes Nomination); Alliance Theatre: Jelly’s Last Jam (Suzi Bass Award) and Sophisticated Ladies (Suzi Bass Award). Associate arts professor at NYU/Tisch.
TENIECE DIVYA JOHNSON (Intimacy and Fight Direction, they/them/theirs) is an intimacy director, fight director, stunt performer, and movement storyteller working across television, film, and stage. The first Black and first non-binary intimacy director on Broadway with Slave Play, Teniece serves as a resolute advocate for a decolonized collaborative approach, Black intimacy, kink and Queer representation. Some additional credits include Succession, Pose, Lovecraft Country, The Underground Railroad, Ramy, and West Side Story (film). Off-stage sharing boundaries and empathy masterclasses with colleges, universities, and corporations.
TAYLOR WILLIAMS, CSA (Casting, she/her/ hers). Broadway: What the Constitution Means to Me (Amazon film, First National tour, NYTW), Slave Play (Artios Award, Broadway Productions, NYTW), Broadway casting for Tina Satter’s Is This a Room, and Lucas Hnath’s Dana H. First National tour of Daniel Fish’s Oklahoma! (original Fisher Center at Bard production). Notable: Clare Barron’s You Got Older (P73), Mia Chung’s Catch as Catch Can (P73), Aleshea Harris’ Is God Is (Soho Rep), An Octoroon (Soho Rep, TFANA). Virtual: Ratatouille the TikTok Musical - Benefit for the Actors Fund, and The Great Work Begins fundraiser for amfAR. Notable regional productions: Most Happy (Fisher Center at Bard), Whitney White’s The Amen Corner (Shakespeare Theatre, DC), and Lucas Hnath’s The Thin Place (Actors Theatre). She has cast numerous productions in NYC and around the country. Upcoming: On Sugarland and Sam Gold’s Three Sisters. TV: Casting Assistant on Season 1 of Katori Hall’s P-Valley for Starz. Taylorwilliamscasting.com
VICTOR VAZQUEZ, CSA (Casting, he/him/his) is the founder and lead Casting Director of X Casting (xcastingnyc.com), and sits on the national board of the Casting Society of America. He has cast projects for Broadway, Off-Broadway, London’s West End, and film. He is the proud son of Mexican immigrants, and he is from Los Angeles. Victor gives thanks to the land this theatre and performance is on, the ancestral land of the Tongva, Kizh, and Chumash Peoples past and present.
KELLY A. MARTINDALE (Production Stage Manager, she/her/hers) Broadway: Slave Play; Linda Vista, Amélie; Doctor Zhivago, Matilda the Musical; Jesus Christ Superstar, Guys and Dolls, The Farnsworth Invention, Dracula the Musical, Baz Luhrmann’s production of Puccini’s La Bohème, 42nd Street (revival), The King and I (revival), The Who’s Tommy. Radio City: Sinatra: His Life. His World. His Way. Off-Broadway: Boseman & Lena (Signature); Jerry Springer the Opera (The New Group); Let Me Down Easy (2nd Stage), Hedwig and the Angry Inch (Jane Street); The Cider House Rules (Atlantic); Regional: Baz Luhrmann’s production of Puccini’s La Bohème (CTG); Yoshimi Battles the Pink Robots; Memphis, The Wiz, Palm Beach, The Screwball Musical, Much Ado About Nothing, The Glass Menagerie (LJP).
JULIA ZAYAS-MELÉNDEZ (Assistant Stage Manager, she/her/hers) is happy to return to Center Theatre Group with Slave Play. A transplant from Chicago, Julia has had the honor of working with many theatres there, including Writers Theatre, First Folio, Paramount Theatre, Windy City Playhouse, Porchlight Music Theatre, Route 66, Marriott Theatre, Drury Lane, Apple Tree, About Face, ShawChicago, Chicago Dramatists, Steppenwolf, Remy Bumppo, Next, Court, Madison Rep, and Theater at the Center. A graduate of Emerson College, Julia began her career in Massachusetts, with companies like Opera Boston, Boston Theatre Works, The Theatre Offensive, Commonwealth Shakespeare Company, SpeakEasy Stage, and Shakespeare & Company. She took the acclaimed Route 66 production of A Twist of Water Off-Broadway in 2012, and celebrated World Theatre Day 2009 in Konya, Turkey with ShawChicago. Here in Los Angeles, she’s been privileged to stage manage for The Wallis/Four Larks, A Noise Within, Latino Theatre Company, and Ghost Road. Proud member of Actors’ Equity Association since 2003.
CENTER THEATRE GROUP
MEGHAN PRESSMAN (Managing Director/CEO) joined Center Theatre Group in 2019. Previously, she served as Managing Director of Woolly Mammoth Theatre Company (D.C.), Director of Development for Signature Theatre (N.Y.), and Associate Managing Director of Berkeley Rep. She is a graduate of Yale School of Drama/Yale School of Management, and serves as a mentor in the Theater Management program. Meghan has served as the Vice-Chair for the Theatre Communications Group Board of Directors, and is a member of the Broadway League.
DOUGLAS C. BAKER (Producing Director) joined Center Theatre Group in 1990. Doug is an active member of the Broadway League, the Independent Presenters Network (IPN), and is a proud member of the Association of Theatrical Press Agents and Managers (ATPAM). In 2013, Doug received the Broadway League’s prestigious Outstanding Achievement in Presenter Management Award.
LINDSAY ALLBAUGH (Associate Artistic Director, she/her/hers) is a member of Center Theatre Group’s artistic staff and has served in varying capacities for the past 15 years. Selected producing credits include— Mark Taper Forum: Archduke, Bent, What the Butler Saw, Steward of Christendom, and Waiting for Godot; Kirk Douglas Theatre: Block Party, Big Night, Good Grief, Vicuña, Throw Me On the Burnpile and Light Me Up, Endgame, Women Laughing Alone With Salad, Chavez Ravine, Race, different words for the same thing, and The Nether. Co-Artistic Director of the Elephant Theatre 2004–2014.
TYRONE DAVIS (Associate Artistic Director, he/him/his) is a director, actor, producer, educator, and member of Center Theatre Group’s artistic staff, he previously served as its Audience Engagement Director. Selected producing credits include: Crowndation, Black Nourishment, The Salvi Chronicles, The Duat, WET: A DACAmented Journey and the upcoming productions of Blues for an Alabama Sky, and King James. He is passionate about commissioning and developing new works with artists and audiences both locally and nationally. Tyrone is an L.A. native, a graduate of the California Institute of the Arts (CalArts) School of Theater M.F.A. acting program and holds a B.A. in theatre from California State University, Northridge.
NAUSICA STERGIOU (General Manager, she/her/hers) has worked supporting artists in theatres of all shapes, sizes, and locales including Center Theatre Group as General Manager and, previously, as Audience Development Director. She oversees productions at the Taper and Douglas, as well as new play commissions and developmental productions. Nausica has taught Marketing and Management at USC’s School of Dramatic Arts and works with local nonprofits including Hollywood Orchard. B.A. Cornell University. M.F.A. Yale School of Drama.
GORDON DAVIDSON (Founding Artistic Director) led the Taper throughout its first 38 seasons, guiding over 300 productions to its stage and winning countless awards for himself and the theatre—including the Tony Award for theatrical excellence, Margo Jones Award, The Governor’s Award for the Arts, and a Guggenheim fellowship. The Kentucky Cycle and Angels in America (Part One) won the Pulitzer in consecutive years and, in 1994, three of the four plays nominated for the Tony Award for Best Play were from the Taper (Angels in America won). In 1989, Gordon took over the Ahmanson and, in 2004, he produced the inaugural season in the Kirk Douglas Theatre.
ADDITIONAL STAFF FOR Slave Play
Associate Director: Nicholas Polonio
Associate Scenic Designer: Diggle
Scenic Studio Associate: Riw Rakkulchon
Associate Costume Designer: Anna Blazer
Associate Lighting Designer: Carolina Ortiz
Associate Sound Designer: DJ Potts
Associate Wig Designer: Dotty Petersen
Associate Movement Director: Taylor Mackenzie Smith
Lighting Programmer: Michael Sbrocchi
Production Assistant: Camella Cooper
Resident Assistant Costume Designer: Franklin Hansen
Interim Head Sound: Christian Lee
Interim Wardrobe Supervisor: Michael Gardner
Interim Hair and Make-Up Supervisor: Chloe-Nil Acerol
Violin Consultant: Kateryna Kolesnik
Massage Therapy: Hallil Thompson & Karen Moran of Fusion Arts Physical Therapy
SPECIAL THANKS
Manhattan Theatre Club, Juniper Street Productions, Mark Shacket, Greg Nobile, F&D Scene Changes, Kinetic Lighting, DNB Design, Baxter Northup Music Co.
Slave Play is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com.
Slave Play rehearsed at Manhattan Theatre Club’s Creative Center
The actors and stage managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States.
The following employees are represented by the International Alliance of Theatrical Stage Employees, Moving Picture Machine Operators, Artists and Allied Crafts of the United States, its Territories and Canada, AFL-CIO, CLC: Stage Crew Local 33; Local Treasurers and Ticket Sellers Local 857; Wardrobe Crew Local 768; Makeup Artists and Hair Stylists Local 706. The scenic, costume, lighting, and sound designers in LORT Theatres are represented by United Scenic Artists, Local USA-829.
The Director and Choreographer are members of the Society of Stage Directors and Choreographers, Inc., an independent national labor union.
Center Theatre Group is a member of the League of Resident Theatres (LORT), the American Arts Alliance, the Broadway League, Independent Presenters’ Network (IPN), and the Theatre Communications Group (TCG).
MUSIC CREDITS
PONY © 1997 Unknown Publisher (NS) and
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Written by Ruban Neilson
Used with permission of Third Side Music Inc All Rights Reserved.
WORK
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Music Publishing administered by Warner-Tamerlane Publishing Corp. All Rights Reserved