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HUGO ARMSTRONG (Hall, he/him) was seen most recently at the Pasadena Playhouse in Uncle Vanya, the Geffen Playhouse in Power of Sail, and CBS’s True Lies. He has been seen here at the Taper in Bent and Waiting for Godot, Apollo at the Kirk Douglas, as well as shows with Sacred Fools, Theatre of Note, The Kennedy Center, LATW, The Echo, RedCat, Walt Disney Concert Hall, Boston Court Pasadena, and South Coast Rep. Other Television includes Bosch: Legacy, Cinema Toast, Blacklist, Room 104, For the People, Into the Dark, Fear The Walking Dead, and NCIS. Movies include Lucky; Coherence; Roman J. Israel, Esq.; Daniel Martinico’s OK; Good and Excursions; Love in the Time of Monsters; Drib, No Man of God; The Only One; and Rachel by Victor Nunez. He is a CalArts grad. Special thanks to MTA and Wonder Street. Love and respect to our Assistant Director Derek Jackson and PA extraordinaire Lexie Secrist as well as beautiful Lady Mel and Bats for all the truest nourishments.

LOVENSKY JEAN-BAPTISTE (Mapinduzi, he/him) is thrilled to be making his debut appearance at The Mark Taper Forum. MFA alumni of UCLA’s Professional School of Theater, Film, and Television, Lovensky is a dynamic character actor mostly known as Udo on FOX’s 24, a regular as Jey-Jey in Netflix’s Startup, and for voicing Placide in CD Projekt Red’s Cyberpunk 2077. Additional credits include recurring guest-star roles in NBC’s Young Rock, MGM’s Mr. Mom, TNT’s Animal Kingdom, Paramount+’s Mayor of Kingstown, Netflix’s The Upshaws, TNT’s The Closer, David E. Kelley’s Boston Legal, Amazon’s Mad Dogs, and CBS dramas Scorpion, NCIS: Los Angeles, and S.W.A.T. Film credits include a leading role in Prime Video’s Spiked. His numerous stage appearances include the lead role in the US premiere tour of Athol Fugard’s Victory, Icebergs (u/s) at the Geffen Playhouse, and a duo opposite Tony Todd in Athol Fugard’s The Island at The Lucy Florence African American Cultural Center.

LISA RENEÉ PITTS (Charlene/JL, she/her). Lisa is ecstatic to be making her Mark Taper debut with Twilight: Los Angeles, 1992! She was most recently seen in The Father (Pasadena Playhouse/Critics Circle Award) opposite Alfred Molina. Broadway (u/s): Sweat by Lynn Nottage. Selected Off-Broadway and Regional Credits: The Old Settler (Primary Stages), Valley Song (MTC), Funnyhouse of a Negro and world premiere June and Jean in Concert (Signature Theater Company), Tiny Beautiful Things and Doubt (Portland Center Stage/ Critics Circle Award), La Ronde (Williamstown Theater Festival), A Raisin in the Sun (Virginia Stage Company), Watching OJ (EST/LA), Wait Until Dark (Actors Co-op), and Intimate Apparel (San Diego Repertory Theater/Critics Circle Award). Lisa’s break out film role came as Dr. Dre’s mother Verna in Straight Outta Compton (dir. F. Gary Gray). Recent Television and Film credits: Stephen King’s The Stand (dir. Tucker Gates); Baselines (dir. Nate Parker); XX (dir. Karyn Kusama); and True to the Game 1, 2 & 3 (Imani Media Group). Lisa is an award-winning voice over artist having narrated well over 100 titles spanning all genres. She holds a BFA degree from Rutgers University’s Mason Gross School of the Arts. Performances dedicated to Anthony Boykins. Lisareneepitts.com

JEANNE SAKATA (Yong Hee, she/her). Recent TV: Guest star/recurring roles on ABC-Shondaland’s Station 19, CBS’ Magnum P.I., NCIS: Hawai’i, NCIS: Los Angeles, Disney+’s High School Musical: The Musical: The Series, Marvel/Hulu’s Hit Monkey, Apple TV+ Stillwater, Disney’s Big Hero 6. Recent Theatre: 2022 world premieres of Moisés Kaufman and Amanda Groenich’s Here There Are Blueberries, La Jolla Playhouse/Tectonic Theatre Project, and Carla Ching’s Revenge Porn, Ammunition Theatre; Additional: Vineyard Theatre, People’s Light, TheatreWorks Silicon Valley, The Public Theater, Lincoln Center Theater, Kennedy Center, Mark Taper Forum, South Coast Rep, La Jolla Playhouse, American Conservatory Theater, Northlight Theatre, Intiman Theatre, Berkeley Rep, A Contemporary Theatre, Portland Center Stage. Playwright: For Us All, commissioned and produced in 2021, L.A. TheatreWorks; Hold These Truths (Drama Desk Nomination, Outstanding Solo Performance; San Diego and Bay Area Critics’ Circle Awards, Outstanding Solo Performance; Theatre Bay Area Awards, Outstanding Production, Direction, and Lead Performance); commissioned by CTG’s Asian Theatre Workshop; productions include Arena Stage, Barrington Stage Company, the Guthrie Theatre, Pasadena Playhouse, TheatreWorks Silicon Valley, ACT Seattle, Epic Theatre Ensemble, East West Players (world premiere). Special Honors: Theatre L.A. Ovation Award, Outstanding Lead Actress, Chay Yew’s Red, East West Players; 2019 Trailblazer Award, Outstanding Artistic Achievement, East West Players; 2016 Lee Melville Award, Outstanding Contribution to the L.A. Theatre Community, Playwrights’ Arena. jeannesakata.com; holdthesetruths.

SABINA ZÚÑIGA VARELA (Adelita/ Ascención, she/her) is honored to be making her Mark Taper debut with this poignant work of art. Originally from New Mexico, she holds an MFA in Acting from The University of Southern California where she currently teaches for the USC School for Dramatic Arts. Regional Theatre credits include: Uncle Vanya Pasadena Playhouse; Mojada The Public Theater; Mojada: A Medea in Los Angeles; Portland Center Stage, OSF & The Getty Villa; Bruja Magic Theatre; Oedipus El Rey, The Dallas Theater Center; Electricidad The National Hispanic Cultural Center; Culture Clash’s Bordertown Now Pasadena Playhouse, You Never Can Tell CalShakes; Native Gardens Cincinnati Playhouse; Culture Clash’s Chavez Ravine Kirk Douglas Theatre; A Christmas Carol Dallas Theater Center; Water By The Spoonful TheatreWorks; The Tenth Muse & The Heart of Robin Hood, OSF; El Nogalar The Fountain Theatre, Sill Life NHCC. TV credits: Madame Secretary, Snowfall, and American Crime. Sabina began her journey in theatre as a director, her credits include: Conduct of Life By Maria Irene Fornes, Rio De Lagrimas by Las Meganenas, Bernabé by Luis Valdez, Gas by Elizabeth Otero, and Kino and Teresa by James Lujan. She also holds an MA in Special Education with a concentration in Twice-Exceptional and Gifted Learners.

JULIA CHO (Understudy for Yong Hee, she/her) was born in Los Angeles and raised in Koreatown. She is one of the founding members and current producing artistic leaders of L.A.-based Asian American theatre collective Artists at Play. Through her work with AAP—which encompasses producing, acting, and casting—she has helped develop and present numerous works created by and featuring theatre artists of color. Upon graduating from UC Berkeley, Julia starred in the award-winning Word for Word production of Amy Tan’s Immortal Heart at the Magic Theatre, which later toured domestically and in France. She has since performed/ toured shows with AAP, East West Players, Will & Company, Lodestone Theatre Ensemble, hereandnow, as well as readings for Playwrights’ Arena, Pasadena Playhouse, and Center Theatre Group. Julia has also directed new plays by Stephanie Kyung Sun Walters as part of LAUNCH PAD at UC Santa Barbara. Other acting credits include films like Larry Crowne; recurring roles on TV shows This Is Us, Goliath, Scandal, I’m Sorry; and Emmy Award-winning web series The Lizzie Bennet Diaries. You can hear Julia’s voice English- dubbing lead roles in Korean content like Seoul Vibe (Netflix) and The Grid (Disney+). artistsatplay.org

MARCOS NÁJERA (Dramaturgy, Understudy for Adelita/Ascención, Hall, he/him). Once upon a time, Marcos Nájera remembers hearing Anna Deavere Smith describe herself as an actor moving through the world as a journalist. Marcos is a journalist moving through the world as an actor. He’s the Executive Editor for Arts & Culture at Oregon Public Broadcasting. He’s also a former arts correspondent for the NPR/Los Angeles show The Frame and host of the PBS documentary film podcast The Rise & Fall of the Brown Buffalo recently profiled in The New Yorker. He’s currently working on Anna Deavere Smith’s school-to-prison pipeline project. His solo show, Neuroplasticity: The Brown Brain, is a work in progress with USC’s School of Medicine to explore mental health in BIPOC communities. Theatre credits include Berkeley Rep, East West Players, Highways Performance Space, Cornerstone Theater, Oregon Shakespeare Festival, and multiple live performance art installations with La Pocha Nostra/Guillermo Gomez Peña. TV/Film credits include PBS/ The Daily War, FX/American Crime Story, CBS/To Find My Son, BRAVO/Queer Eye for the Straight Girl. He believes in glitter, confetti, and Groov3. He hopes someone invites him to join the cast of Saturday Night Live. With deep gratitude to my mom, friends, and my cuz, ADS. opb.org/author/marcos-najera & @chicano_oprah

MATTHEW HANCOCK (Understudy for Charlene/JL, Mapinduzi). Theatre Credits: In The Upper Room (DCPA), An Octoroon (Fountain Theatre); Hit The Wall (LA LGBT Center); This Bitter Earth (The Road Theatre); Trans Scripts Part I (American Repertory); HONKY (Rogue Machine Theatre); The View Upstairs (Celebration Theatre) The Brothers Size, Between Riverside and Crazy, Hype Man: A Break Beat Play, I and You (Fountain Theatre). TV: Seal Team, NCIS, Kidding, Westworld, I’m Dying Up Here, Giants, Five Points, and Prince of Peoria. Matthew enjoys musical endeavors as Michael Siren. He is a L.A. Drama Critics Circle, Stage Raw, and Henry Award Winner and an NAACP and Ovation Nominee. BFA from Adelphi University. Instagram: @imatthewhancock

GREGG T. DANIEL (Director). Denver Center Performing Art world premiere of Beaufield Berry’s, In The Upper Room, August Wilson’s, Radio Golf, Seven Guitars, Gem of the Ocean, and A Raisin In The Sun at A Noise Within (Ovation Nominee-Best Production of a Play), Lanie Robertson’s, Lady Day at Emerson’s Bar & Grill and Katori Hall’s The Mountaintop at the Garry Marshall Theatre. West Coast premieres of Mfoniso Udofia’s Her Portmanteau at Boston Court Theatre, Tearrance Arvelle Chisolm’s Br’er Cotton for Lower Depth Theatre. With Rogue Machine Theatre, Lorraine Hansberry’s Les Blancs (Ovation nominated, Best Director), the L.A. premiere of Greg Kalleres’ Honky (nominated Best Director, Comedy), Lorraine Hansberry’s A Raisin in the Sun at A Noise Within (Ovation nominated, Best Director) and a revival of Alice Childress’ Wedding Band: A Love/Hate Story in Black and White for the Antaeus Company (Winner, Stage Raw Award–Best Revival, Best Ensemble). Regional work includes Samm-Art Williams’ Home for the International City Theatre (ICT) and the New Jersey premiere of Katori’s Hall’s The Mountain Top, and Matthew Lopez’s The Whipping Man at Cape May Stage. He is a recipient of the NAACP Best Director award for the International City Theatre’s production of August Wilson’s Fences (nominated L.A. Drama Critics Circle, Ovation, and StageScene L.A. awards). Gregg is a proud member of SDC and a Founding Member/Artistic Director of Lower Depth Theatre. He is married to actress Veralyn Jones.

ANNA DEAVERE SMITH (Playwright) is a playwright and actress. She’s credited with having created a new form of theatre. Her plays, which focus on contemporary issues from multiple points of view, are composed of excerpts from hundreds of interviews. Plays and films based on them include Fires in the Mirror and Twilight: Los Angeles, 1992, Let Me Down Easy, and Notes from the Field about the school-to-prison pipeline. Her work as an actress on television includes: Inventing Anna, The West Wing, Nurse Jackie, and Black-ish. Mainstream movies include Philadelphia, The American President, Rachel Getting Married, and Billy Crystal’s new movie Here Today. President Obama awarded Smith the National Endowment for the Humanities Medal. She’s the recipient of the MacArthur Fellowship, several Obie awards, a Drama Desk award, and the George Polk Career Award in Journalism and the Dean’s Medal from Stanford University School of Medicine. She was a runner-up for the Pulitzer Prize and nominated for two Tony Awards. She’s a professor at NYU’s Tisch School of the Arts. She has several honorary doctorate degrees including those from Harvard, Yale, Dartmouth, Spelman College, Juilliard, and Oxford.

EFREN DELGADILLO JR. (Scenic Designer, he/him). First production with CTG. Recent projects: I’m Not Your Perfect Mexican Daughter (Seattle Rep), In the Upper Room (Denver Center), Quixote Nuevo (Denver Center), Scene With Cranes (Cal Arts Center for New Performance), and many more notable regional works. Efren has received the Henry award, LA Weekly awards for both Production Design and Lighting design and has been nominated for Ovation and Barrymore Awards. Efren is an Assistant Professor of Scenic Design at UC Irvine. efrendelgadillojr.com

SAMANTHA C. JONES (Costume Designer, she/her) is overwhelmed to be telling this story with the company, in this city, at this time in history. She is a costume designer and educator with previous design credits at Center Theatre Group, Geffen Playhouse, Oregon Shakespeare Festival, Huntington Theatre Company, Goodman Theatre, Court Theatre, Paramount Theatre (Aurora), Steppenwolf Theatre, Northlight Theatre, Drury Lane Theatre, Writers Theatre, Lookingglass Theatre Company, Chicago Children’s Theatre, TimeLine Theatre, Porchlight Music Theatre, Jackalope Theatre, Cleveland Playhouse, Kansas City Repertory Theatre, Alley Theatre, Seattle Children’s Theatre, First Stage Theatre, Skylight Music Theatre, Indiana Repertory Theatre, Peninsula Players Theater, and others. Upcoming productions include: King James (Manhattan Theatre Club), Incendiary (Woolly Mammoth Theatre Company). Her work can be viewed at samanthacjones.com

BRANDON BARUCH (Lighting Designer, he/him) is an Ovation Award-winning lighting designer specializing in theatre, opera, dance, and immersive performance. Previously with CTG: The Duat and The Second City’s Twist Your Dickens (Kirk Douglas Theater). Other design credits include The Dry Years (Ghost Road Company); Radio Golf (A Noise Within); Restless autumn, restless spring (REDCAT); Cruzar la Cara de la Luna (Opera Santa Barbara); Four Larks’ Frankenstein (The Wallis); Katabasis and Homeric Hymns (Getty Villa); Love Actually: The Unauthorized Musical Parody (Chicago and Off-Broadway); Asterion (The Grotowski Institute, Wrocław, Poland); Overland Industry’s Iceland (Ford Amphitheatre); Bataré (West Coast Tour); Dana Foglia Dance VATIC (LA, Long Beach, and NYC); Duke Ellington’s Queenie Pie (Long Beach Opera and Chicago Opera Theater); and The Legend of Black Herman, a live magic show commissioned as a companion piece for artist Derek Fordjour’s solo exhibition at David Kordansky Gallery in Los Angeles. Brandon also creates solar powered designs for Liquid Light Flight, a yearly trapeze and aerial arts festival at Wild Arts Collective (New Paltz, NY), a community of makers devoted to igniting new ideas, living sustainably, and sharing access to artful spaces immersed in nature. brandonbaruch.com

JEFF GARDNER (Sound Designer, he/him). Jeff is an award-winning sound designer, foley artist, and actor. Credits include Search for Signs of Intelligent Life in The Universe, and Blues for An Alabama Sky at the Mark Taper Forum; In the Upper Room at Denver Center for the Performing Arts; Paradise Blue, The Cake at Geffen Playhouse; Native Son at Kirk Douglas/ Antaeus Theatre Company. Elsewhere: Williamstown Theatre Festival, Cleveland Playhouse, Baltimore Center Stage, Shakespeare Theatre Company (DC), Arena Stage, The Kennedy Center, Edinburgh Festival Fringe. Los Angeles: Pasadena Playhouse, The Wallis, A Noise Within, Circle X Theatre, Echo Theater Company, Rogue Machine Theatre, IAMA Theatre. Los Angeles Stage Alliance Ovation Award, Stage Raw and L.A. Drama Critics Circle Award Winner. Jeff can be seen at L.A. Theatre Works where he regularly performs live sound effects. jeffthomasgardner.net

YEE EUN NAM (Projection Designer, she/her) is a visual artist and a media designer for live performances. Her works have been shown Off-Broadway and in regional theatre as well as major opera houses and symphonies across the United States. Recent collaboration for Opera/Music projects include: Detroit Opera, Opera Omaha, LA Opera, Opera Saint Louis, Boston Lyric Opera, REDCAT, San Francisco Symphony, Los Angeles Chamber Orchestra, New World Center, The Soraya. Theatre projects include: Audible Theatre, Ma-Yi Theater Company, Center Theatre Group, South Coast Rep, Pasadena Playhouse, Geffen Playhouse, The Movement Theatre Company, Kansas City Rep, Wallis Annenberg Center for the Performing Arts, Getty Villa, Latino Theater Company, and many more. Yee Eun was nominated for The Lucille Lortel Awards for her work on Long Day’s Journey into The Night in 2022 and is a winner of LADCC Theatrical Excellence for CGI/Video in 2020 for her work on Mother of Henry with LTC. Upcoming: X: the Life and Times of Malcom X (Metropolitan Opera), A Transparent Musical (Mark Taper Forum). She is a member of United Scenic Artists, Local 829. MFA in Theater Design at UCLA. BFA in Design and Metal Craft at SNU in Seoul, Korea. Portfolio: yeeeunnam.com

TRU (Composer, he/him) is a first- generation Belizean American fusion artist born, raised and currently based in Leimert Park. His process utilizes sound, visual and performance art to explore identity, belonging, and human nature. Tru’s music can be heard on productions by FOX, ViacomCBS, The CW Network, Dreamwork’s Animation, Showtime, and more. More informations on recent and upcoming projects available at truuu.world

STEPHEN BUESCHER (Movement Director, he/him) is a director, choreographer, actor, and teaching artist. Choreography credits include the world premiere of Karen Zacarias’ The Copper Children (Oregon Shakespeare Festival) and Virtual Reality film Atomu (Sundance Film Festival). He choreographed numerous productions at the American Conservatory Theater including A Thousand Splendid Suns (Premiere), Hamlet, Monstress (Premiere), Orphan of Zhao, Let There be Love, Stuck Elevator (Premiere), and Underneath the Lintel. Additional Choreography credits include Pericles and The Imaginary Invalid (Fiasco Theater); Blues for an Alabama Sky (Lorraine Hansberry Theater); Love’s Labour’s Lost (Shakespeare Santa Cruz); A Midsummer Night’s Dream and Private Lives (Long Wharf Theater); Stockholm (Triptych Theater); and A Christmas Carol (Trinity Repertory Theater). Stephen recently directed a development workshop of York Walker’s Soul Records at Manhattan Theater Club and was the dramaturg for It’s Christmas, Carol! at the Oregon Shakespeare Festival (2022). Stephen also collaborated on a development workshop of Aleshea Harris’ play Feast of Rabbits at Center Theatre Group. Stephen is a graduate of CalArts and the Dell’ Arte International School of Physical Theater. He is a member of SDC and is a past TCG New Generations recipient.

NICOLE ARBUSTO (Casting Director, she/her) Film: Azazel Jacobs’s French Exit, released by Sony Classics (Spirit Award nomination Best Supporting Actress 2021), (Spirit Award nomination Best Supporting Actress 2021), The Lovers produced by A24 (Best Original Screenplay nomination Spirit Awards 2018) and Terri (Sundance Film Festival 2011) and the TV series Doll & Em for SkyTV/HBO. Additional films include Stephanie Daley, The Business of Strangers, and The Tao of Steve. TV: Series Casting Director for Somebody Somewhere, all four seasons of the anthology series Room 104, and three seasons of the animated series Animals. All three shows are produced by Duplass Brothers Productions for HBO. L.A. Theatre: Tiny Beautiful Things, King Charles III, The Father (LA Drama Critics Circle Best Production), and Uncle Vanya at the Pasadena Playhouse. The Golden Dragon, and The House in Scarsdale: A Memoir For The Stage both at The Theatre at Boston Court and the Los Angeles casting for the Steppenwolf Theatre production of Linda Vista by Tracy Letts.

DORINNE KONDO (Dramaturgy) is Professor of American Studies and Anthropology and former Director of Asian American Studies at the University of Southern California. A cultural anthropologist, theatre and performance studies scholar, playwright, and dramaturg, Kondo has authored the prize-winning books Crafting Selves: Power, Gender and Discourses of Identity in a Japanese Workplace, and About Face: Performing Race in Fashion and Theater. Her latest book, Worldmaking: Race, Performance and the Work of Creativity, analyzes race and power in the theatre industry, including chapters on Smith and the creative process during the world premiere of Twilight... in 1993. The book includes her play Seamless, about the emotional afterlives of Japanese American incarceration in generations born after the camps. Kondo’s comedy But Can He Dance? was produced at Asian American Repertory Theater in San Diego. She has served as a dramaturg for three plays by Anna Deavere Smith: Twilight..., House Arrest (workshops, Arena Stage and Mark Taper Forum), and Let Me Down Easy (Long Wharf). For more on the volatile and inspiring creative process during the world premiere of Twilight... and societal continuities/ changes since 1992, listen to Kondo’s podcasts, supported by USC’s Gender and Sexuality Consortium and the Mellon Foundation and by USC’s Dornsife College: The Arts of Racial Reckoning, available on Spotify, Apple, Overcast and here: linktr.ee/dorinnekondo

I’m deeply moved to be back at the Taper to revisit Twilight... thirty years later with this new version of the play. The show’s themes remain all too urgent given the new/old iterations of settler colonialism, white supremacy, the structural inequalities of race/ class/ citizenship, and gendered/ racialized violence that still shape our historical moment. I hope that Twilight... can help us to face our power-laden histories, to unleash our imaginations to think beyond our world of punishment and structural violence— and to mobilize for social transformation.

TYRONE DAVIS (Associate Artistic Director, he/him) Previously served as CTG’s Audience Engagement Director where he provided leadership and direction for audience engagement programming at the Ahmanson Theatre, the Mark Taper Forum, and the Kirk Douglas Theatre. He is the creative producer of CTG’s Not a Moment, But a Movement initiative which celebrates and amplifies the pipeline of Black artists and stories, presented in partnership with The Fire This Time Festival of NYC and Watts Village Theater Company. Selected producing credits include: Crowndation, Black Nourishment, The Salvi Chronicles, The Duat, WET: A DACAmented Journey, Blues for an Alabama Sky, Slave Play, and King James. He is passionate about commissioning and developing new works with artists and audiences both locally and nationally. Tyrone is an L.A. native, a graduate of the California Institute of the Arts (CalArts) School of Theater MFA acting program and holds a BA in Theatre from California State University, Northridge.

NEEL KELLER (Associate Artistic Director, he/him). For Center Theatre Group, Neel has directed the world premieres of Eliza Clark’s Quack, Lucy Alibar’s Throw Me On The Burnpile and Light Me Up, Dael Orlandersmith’s Forever, Kimber Lee’s different words for the same thing, Jennifer Haley’s The Nether, and Jessica Goldberg’s Good Thing, as well as productions of Sheila Callaghan’s Women Laughing Alone With Salad, David Greig’s Pyrenees, Dael Orlandersmith’s Until the Flood, and Marie Jones’ Stones in His Pockets. He has also directed for New York Theatre Workshop, The Public Theater, La Jolla Playhouse, South Coast Repertory, Long Wharf Theatre, Rattlestick Playwrights Theater, Goodman Theatre, Portland Center Stage, Williamstown Theatre Festival, and several hospitable theatres in the UK and EU. As a producer at Center Theatre Group, Neel has worked closely with dozens of creative teams on the development and production of a wide range of plays and musicals. Neel is a member of The Stage Directors and Choreographers Society and the Directors Guild of America.

SHAWNA VORAGEN (Production Stage Manager, she/her) is a Los Angeles native and is honored to be a part of the retelling of Twilight: Los Angeles, 1992. She is thrilled to be back at CTG after being on the SM teams for 2:22 – A Ghost Story and The Search for Signs of Intelligent Life in the Universe. Select stage management credits include: King Lear, Witness Uganda, A Christmas Carol, UNMASKED: A Theatrical Celebration of Black Women’s Liberation (The Wallis); Paradise Blue (Geffen Playhouse); Medusa: The Musical, The Window [Staged Reading] (Deaf West Theatre); If I Forget, Citizen: An American Lyric, In The Red And Brown Water, The Brothers Size, The Ballad of Emmett Till [Digital Remount], Reborning (Fountain Theatre); 33 Variations, A Body of Water, Steel Magnolias (Actors Co-Op); Hocus Pocus: A Musical Cocktail Experience, A Christmas Carol Cocktail Spectacular (After Hours Theatre Company); Next to Normal (Triage Productions); and the acclaimed remount of Citizen: An American Lyric as part of CTG’s inaugural Block Party. Much love and thanks to Marianne and Katie. Thank you for supporting live theatre!

JIHEE JENNY PARK (Stage Manager, she/her). Jihee (Jenny) Park is a Korean American Stage Manager based in Los Angeles. She is very thrilled to be joining the SM team at CTG. Select stage management credits include Knight of the Burning Pestle; The Tempest; Twelfth Night; Measure for Measure; A Midsummer Night’s Dream with the Independent Shakespeare Company’s Griffith Park Free Shakespeare Festival; Polymnia; Anita Berber is Dead!, Letters from Home; Happy Days; world premiere of Revenge Porn or The Story of a Body; King Lear; Gunshot Medley, Part 1 and The Giant Void in My Soul.