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MEGHAN PRESSMAN Managing Director/CEO  

DOUGLAS C. BAKER Producing Director

GORDON DAVIDSON Founding Artistic Director



The American Repertory Theater     Roundabout Theatre Company      National Artists Management Company      NETworks Presentations




APRIL 11 – MAY 7, 2023 AHMANSON THEATRE

Music and Lyrics by

Sherman Edwards


Book by

Peter Stone


Based on a Concept by Sherman Edwards


Original Broadway Production Produced by Stuart Ostrow

with

Shelby Acosta        Gisela Adisa         Nancy Anderseon         Tiffany Barbour        Dawn Cantwell        

Julie Cardia         Amanda Dayhoff         Sara Gallo         Joanna Glushak         Anissa Marie Greigo         Kassandra Haddock         Shawna Hamic         Lisa Karlin         Connor Lyon         Liz Mikel         Nykila Norman       Oneika Phillips         Lulu Picart         Kayla Saunders         Ariella Serur         Brooke Simpson         Sav Souza       Lillie Eliza Thomas         Tieisha Thomas         Gwynne Wood         Candice Marie Woods

Set Design
SCOTT PASK

Costume Design
EMILIO SOSA

Lighting Design
JEN SCHRIEVER

Projection Design
DAVID BENGALI

Hair and Wig Design
MIA NEAL

Fight Choreographer
THOMAS SCHALL

Dialect Coach
ERIKA BAILEY

Orchestrations
JOHN CLANCY

Original Music Supervision by
DAVID CHASE

Vocal Design
ANNMARIE MILAZZO

Music Coordinator
DEAN SHARENOW

Associate Director
BRISA ARELI MUNOZ

Associate Choreographer
COURTNEY PAIGE ROSS

Casting
STEWART/WHITLEY

Marketing and Publicity Direction
BOND THEATRICAL

Tour Booking
THE BOOKING GROUP
MEREDITH BLAIR
KARA GEBHART

Production Management
NETWORKS PRESENTATIONS
HECTOR GUIVAS

Production Stage Manager
GENEVIEVE KERSH

Company Manager
KATIE CORTEZ

General Managers
GENTRY & ASSOCIATES
GREGORY VANDER PLOEG
MADELINE MCCLUSKEY

Executive Producer
NATIONAL ARTISTS MANAGEMENT COMPANY
BARRY WEISSLER AND ALECIA PARKER

Music Supervision
Music Direction
RYAN CANTWELL


Choreographed by

Jeffrey L. Page


Directed by

JEFFREY L. PAGE AND DIANE PAULUS



CAST

(in order of appearance)

John Adams, Massachusetts . . . . . GISELA ADISA

George Read, Delaware . . . . . GWYNNE WOOD

Col. Thomas McKean, Delaware . . . . . DAWN CANTWELL

Andrew McNair, Congressional Custodian . . . . . JTIFFANI BARBOUR

Caesar Rodney, Delaware. . . . . NYKILA NORMAN

Stephen Hopkins, Rhode Island. . . . . JULIE CARDIA

Abigail Adams/Rev. Jonathan Witherspoon, New Jersey. . . . . TIEISHA THOMAS

Thomas Jefferson, Virginia. . . . . NANCY ANDERSON

Charles Thomson, Secretary. . . . . SHELBY ACOSTA

John Dickinson, Pennsylvania. . . . . JOANNA GLUSHAK

Richard Henry Lee, Virginia. . . . . SHAWNA HAMIC

John Hancock, President of the Congress. . . . . ONEIKA PHILLIPS

Benjamin Franklin, Pennsylvania. . . . . LIZ MIKEL

Joseph Hewes, North Carolina. . . . . CANDICE MARIE WOODS

Samuel Chase, Maryland. . . . . LULU PICART

Edward Rutledge, South Carolina. . . . . KASSANDRA HADDOCK

Judge James Wilson, Pennsylvania. . . . . ARIELLA SERUR

Roger Sherman, Connecticut. . . . . ANISSA MARIE GRIEGO

Dr. Josiah Bartlett, New Hampshire. . . . . SAV SOUZA

Courier. . . . . BROOKE SIMPSON


Understudies

Standbys and understudies never substitute for the listed performers unless a specific announcement is made at the time of the appearance.

For John Adams—LILLIE ELIZA THOMAS, TIEISHA THOMAS; for Robert Livingston—TIFFANI BARBOUR, ONEIKA PHILLIPS, LILLIE ELIZA THOMAS; for George Read— DAWN CANTWELL, JULIE CARDIA, SARA GALLO, ARIELLA SERUR; for Col. Thomas McKean—JULIE CARDIA, AMANDA DAYHOFF, LISA KARLIN; for Andrew McNair—KAYLA SAUNDERS, CANDICE MARIE WOODS; for Stephen Hopkins—AMANDA DAYHOFF, LISA KARLIN; for Abigail Adams/Rev. Jonathan Witherspoon—BROOKE SIMPSON; for Thomas Jefferson—DAWN CANTWELL, GWYNNE WOOD; for Charles Thomson—AMANDA DAYHOFF, ANISSA MARIE GRIEGO, SAV SOUZA; for John Dickinson—DAWN CANTWELL, JULIE CARDIA; for Richard Henry Lee—LISA KARLIN, SAV SOUZA, GWYNNE WOOD; for Martha Jefferson/Dr. Lyman Hall—ANISSA MARIE GRIEGO, ARIELLA SERUR; for John Hancock—LILLIE ELIZA THOMAS, TIEISHA THOMAS; for Benjamin Franklin—ONEIKA PHILLIPS, LILLIE ELIZA THOMAS; for Joseph Hewes— TIFFANI BARBOUR, KAYLA SAUNDERS; for Samuel Chase—SHELBY ACOSTA, LISA KARLIN; for Edward Rutledge— AMANDA DAYHOFF, LULU PICART, GWYNNE WOOD; for Judge James Wilson—SARA GALLO, ANISSA MARIE GRIEGO, SAV SOUZA; for Roger Sherman—SHELBY ACOSTA, SARA GALLO, LULU PICART; for Courier— KAYLA SAUNDERS, CANDICE MARIE WOODS; for Dr. Josiah Bartlett—SHELBY ACOSTA, SARA GALLO, ARIELLA SERUR; for Caesar Rodney—ONEIKA PHILLIPS, KAYLA SAUNDERS, CANDICE MARIE WOODS.


Standbys

AMANDA DAYHOFF, SARA GALLO, LISA KARLIN, KAYLA SAUNDERS, LILLIE ELIZA THOMAS

Production Stage Manager. . . . . GENEVIEVE KERSH

Stage Manager. . . . . CHRIS ZACCARDI

Assistant Stage Manager. . . . . SAGE LUMSDEN

Dance Captain. . . . . ONEIKA PHILLIPS

Assistant Dance Captain. . . . . LISA KARLIN

Fight Captain. . . . . SAV SOUZA



CONNECT WITH 1776 1776musical.com | FB, IG, TT: @1776Musical | Twitter: @Musical1776



Please turn off all electronic devices such as cellular phones and watch alarms.

The use of any recording device, either audio or video, and the taking of photographs, with or without flash, is strictly prohibited.



Musical Numbers

ACT I

"Sit Down, John". . . . . John Adams, Company

"Piddle, Twiddle, and Resolve". . . . . Adams, Company

"Till Then". . . . . John and Abigail Adams

"The Lees of Old Virginia". . . . . Lee, Franklin, Adams, Historical Lees

"But, Mr. Adams". . . . . Adams, Franklin, Jefferson, Sherman, Livingston

"Yours, Yours, Yours". . . . . John and Abigail Adams

"He Plays the Violin". . . . . Martha Jefferson, Franklin, Adams, Jefferson

ACT II

"Cool, Cool Considerate Men". . . . . Dickinson, Hall, Hancock, Hewes, Read, Rutledge, Thomson, Wilson

"Momma, Look Sharp". . . . . Courier, McNair, Company

"The Egg". . . . . Franklin, Adams, Jefferson, Company

"Molasses to Rum". . . . . Rutledge, Company

"Yours, Yours, Yours" (reprise). . . . . Abigail Adams

"Is Anybody There?". . . . . Adams



THERE WILL BE ONE 15-MINUTE INTERMISSION



Orchestra

Conductor & Keyboards—RYAN CANTWELL;

Associate Conductor—ALYSSA KAY THOMPSON; 

Drums, Percussion—NOAH HADLAND;

Cello—DAVID MERGEN;

French Horn—DANIELLE ONDARZA;

Trombone— STEVE TRAPANI;

Trumpet, Piccolo Trumpet,

Flugelhorn—DOMINIC DERASSE;

Bass—WILLIAM JOHNSON;

Violin— JEN CHOI FISCHER;

Guitars, Dobro, Mandolin, Banjo—GABRIEL WAREING;

Saxophone, Clarinets, Flutes—PHIL VARRICCHIO.

 Music Supervisor: RYAN CANTWELL

Music Coordinator: DEAN SHARENOW

Music Director: RYAN CANTWELL

 Associate Music Director: ALYSSA KAY THOMPSON

 Music Assistant: IAN CHAN

 Electronic Music Design: BILLY STEIN AND HIRO IIDA FOR STRANGE CRANIUM

 Music Copyist: RUSSELL BARTMUS

Los Angeles Contractor ROBERT PAYNE




A NOTE ABOUT PRONOUNS AND GENDER AT 1776

Our amazing company is made up of female, trans, and non-binary individuals. As you read the program, you may notice that the cast, crew, and creative teams list their pronouns next to their names. We recognize that this might be new to some of our audiences and want to take the opportunity to highlight some concepts around pronouns and gender expansiveness.



WHAT DO YOU MEAN BY “GENDER EXPANSIVENESS”?

There are an infinite amount of ways that people experience gender. Here is a glossary of some terms that you may hear when discussing gender:

    • Gender Identity. A person’s internal sense of their self and their gender.
    • Non-Binary. An umbrella gender identity that does not conform to the false idea that there are only two genders, male and female. Some other terms that fall under the non-binary umbrella are agender, genderqueer, gender-fluid, pangender, or gender non-conforming.
    • Trans or Transgender. A person whose gender identity differs with their gender assigned at birth. Some people who identify as non-binary may also identify as trans.
    • Cis or Cisgender. A person whose gender identity aligns with their gender assigned at birth.
    • Pronouns. Pronouns are the words we use to talk about people aside from using their names (ex: she/her, he/him, they/them, and many more.) Sometimes pronouns correlate with someone’s gender identity, and sometimes they don’t.